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GNU LilyPond-- -- |
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Printing named chordsFor displaying printed chord names, use the ChordNames context. The chords may be entered either using the notation described above, or directly using simultaneous music. scheme = \notes {
\chords {a1 b c} <d f g> <e g b>
}
\score {
\notes<
\context ChordNames \scheme
\context Staff \transpose c'' \scheme
>
}
You can make the chord changes stand out by setting
scheme = \chords {
c1:m c:m \break c:m c:m d
}
\score {
\notes <
\context ChordNames {
\property ChordNames.chordChanges = ##t
\scheme }
\context Staff \transpose c'' \scheme
>
\paper{linewidth= 9.\cm}
}
LilyPond examines chords specified as lists of notes to determine a name to give the chord. LilyPond will not try to identify chord inversions or an added bass note, which may result in strange chord names when chords are entered as a list of pitches: scheme = \notes {
<c'1 e' g'>
<e' g' c''>
<e e' g' c''>
}
\score {
<
\context ChordNames \scheme
\context Staff \scheme
>
}
By default, a chord name system proposed by Harald Banter (See
Literature) is used. The system is very regular and predictable.
Typical American style chord names may be selected by setting the
Routines that determine the names to be printed are written in Scheme,
and may be customized by the user. The code can be found in
scheme = \chords {
c1 c:5^3 c:4^3 c:5+
c:m7+ c:m5-.7
c:5-.7 c:5+.7
c:9^7
}
\score {
\notes <
\context ChordNames = banter \scheme
\context ChordNames = american {
\property ChordNames.ChordName \override
#'style = #'american \scheme }
\context ChordNames = jazz {
\property ChordNames.ChordName \override
#'style = #'jazz \scheme }
\context Staff \transpose c'' \scheme
>
}
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Please send GNU LilyPond questions and comments to lilypond-user@gnu.org. Please send comments on these web pages to (address unknown) Copyright (c) 1997--2002 Han-Wen Nienhuys and Jan Nieuwenhuizen. Verbatim copying and distribution of this entire article is permitted in any medium, provided this notice is preserved. |
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